2. K. 1. True or False The "value" in visual composition
refers to the range of light and dark elements in the piece.
2. K. 2. True or False "Negative space" refers to a
bad feeling some artwork leaves you with.
2. K. 3. True or False On the color wheel, opposite
any primary color is a secondary color.
3. Match the compositional element on the left with its trait
on the right.
3. K. 1. value
A) symmetrical
3. K. 2. color
B) closed
3. K. 3. form
C) complementary
3. K. 4. space
D) tint
3. K. 5. line
E) geometric
4. Short Answer Questions Answer the question on the back
with a brief description or phrase.
4. K. 1. How can lines be used to create the effect of shading?
4. K. 2. What element is an artist most likely developing in their
piece if they are applying paint with a sponge?
5. Multiple Choice Underline the word that most appropriately
belongs in the blank space.
5. K. 1. Colors residing next to each other on the color wheel are
referred to as ________________.
A) neighboring B) complementary C) analogous
D) ugly E) familiar
Reasoning - TSWBAT describe at least one way each of the six elements have been applied in a given piece of art.
True/False
2.R. 1. True or False In Van Gogh’s Avenue of Poplars
in Autumn, texture is the key element in defining the "space."
2.R. 2. True or False With linoleum block prints, the
primary design element is the "line."
4. Short Answer Questions Answer the question on the back with a
brief description or phrase.
4.R. 1. How do the color values compare between Jackson Pollock’s
Autumn Rhythm (1950) and Xavier Mellery’s Autumn (1893)?
4.R. 2. Would you say that the use of space or of line is most different
between these two pieces?
4.R. 3. If your neighbor had a pale, purple tulip in their yard,
describe how you might go about mixing colors to match the color of the tulip.
5. Multiple Choice Underline the word that most appropriately
belongs in the blank space.
5.R. 1. In The Autumn of Central Paris (R.B. Katij, after
Walter Benjamin, 1972-73) the ________ lines are sharp and clearly distinguish
each subject within the piece.
A) contour B) colorful C) red
D) implied E) sky
Skills - TSWBAT mix colors according to the
rudimentary principles of the color wheel.
5. Multiple Choice Underline the word that most appropriately
answers the question.
5.S. 1. What colors would you need to mix with purple in order to
match a certain shade of brown?
A) red and white B) red, green, and black
C) blue and red D) yellow and white E)
yellow and black
Product - TSWBAT combine at least two of the
elements in an original piece for the purposes of garnering an intended affect
and be able to explain why or how those elements achieved their affect.
5.P.1. Add a second element (other than simply more lines although
lines may also be added,) to one of the figures below to convey humor or
evoke a humorous response from the viewer.
A)
B)
C)
D)
E)
Affect - TSWBAT discuss his or her own personal preference for using a compositional element to achieve a desired effect.
5. Multiple Choice Underline the word that most appropriately
belongs in the blank space.
5.A.1. I combined the existing image with ________________ conveying
humor by creating a...
(complete the sentence in your own words on the back)
Answer Key
2.K. 1. True
2.K. 2. False
2.K. 3. True
3.K. 1. value matches with D) tint
3.K. 2. color matches with C) complementary
3.K. 3. form matches with E) geometric
3.K. 4. space A) symmetrical
3.K. 5. line matches with B) closed
4.K. 1. Hatching (or Cross-Hatching)
4.K. 2. Texture
5.K. 1. C) analogous
2.R. 1. False
2.R. 2. True
4.R. 1. The color values are very close. There’s a very similar range
of colors, both dark to light and blacks, whites, grays, browns, and beiges.
4.R. 2. Space is most different; the Pollock is diffused over the
entire painting whereas the Mellery has three distinct dense image areas,
for the most part, traveling from the upper left to lower right. There are
a few places where the lines are nearly as diffused as in Pollock’s piece.
4.R. 3. Mix some red and blue to get purple, then little by little,
add some of that mixture to white until the tint is matching the neighbor’s
flower. (Add purple to white ‘til you’re matching.)
5.R. 1. A) contour